Why I Left a Career to Live in a Van
This episode is sponsored by The Sprinter Store.
There’s a photo on an old phone of the van the week Henry bought it: a gray, dented shell in a Portland driveway, a hundred and forty thousand miles on the clock, no bed, no kitchen, no plan that deserved the name. This episode is the story of how that photo happened — the honest version, which Henry has been avoiding for three episodes because it doesn’t flatter him the way the clean version does.
The clean version is a decision: man leaves good job at thirty-eight to live in a van. The real version is slower and messier. A project management career he was genuinely good at that quietly stopped fitting. A life that was fine — and fine, it turns out, is its own kind of trap, because nobody warns you about the acceptable life you’ve stopped being present for. Then a layoff and a breakup in the same season, and suddenly nothing requiring him to be anywhere.
What follows isn’t a hero arc. It’s four months of building out a van in a driveway (including a bed built six inches too high and a skull-first lesson about measuring), a one-year plan that quietly expired without being replaced, and the single most useful thing anyone thinking about this life can hear: don’t do it to escape, because whatever’s wrong travels — it’ll be right there with you at two in the morning in a parking lot with worse plumbing.
In this episode
- The trap of a perfectly fine life — and why there’s no crisis to point at
- Living for two days and enduring five: the weekend math nobody questions
- The layoff, the breakup, and why it mattered that both broke at once
- Building the van: honest progress when your head is not a great place to spend time
- What Henry would actually tell you before you buy the van
Timestamps
- 00:00 — The photo of an empty van
- 01:35 — The job Henry was actually good at
- 02:50 — The trap of a perfectly fine life
- 04:09 — The layoff
- 04:47 — The breakup
- 05:51 — The year everything broke at once
- 06:54 — The van was almost an accident
- 08:40 — The one-year plan that quietly expired
- 09:47 — What to know before you buy the van
Next episode: what van life content gets wrong — the parts nobody films because there’s nothing pretty to point a camera at.
Read the full transcript
You’re listening to Miles of Quiet. Episode Four. There’s a photo somewhere on an old phone of the van the week I bought it. It’s parked in the driveway of a rental in Portland, and it is empty. Just a metal box on wheels, gray, dented on one corner, a hundred and forty thousand miles on it already. No bed, no kitchen, no solar, none of the stuff that’s in it now. Just a shell and a lot of assumptions.
I look at that photo sometimes and I want to tell the guy who took it a few things. Not to warn him off it. Just to be honest with him about what he was actually doing, because at the time I was telling myself a much cleaner story than the real one. That’s what I want to get into today. So. I’m Henry Wilder.
Last episode I said I was finally going to tell you the actual story of why I left a steady career to go live in a van, and that it wasn’t the brave-leap version. This is that. And I want to say up front that I’ve avoided this episode for a while, because the honest version doesn’t flatter me the way the clean version does. The clean version is a good story. I left a good job at thirty-eight to live in a van. That sounds like a decision.
It was more like a slow-motion collapse that ended up pointing in the right direction. Here’s the thing about that. When people ask why I left, they want a moment. They want the day I stood up in a meeting and realized life was short. They want the mountain sunrise that rearranged my priorities. And I get why, because that’s how these stories are supposed to go, and I’ve watched enough of them to know the shape.
But there wasn’t a moment. There was a job that had slowly stopped fitting, and a life around it that had slowly stopped fitting, and a couple of things breaking at the same time that made it obvious. Let me tell you about the job, because I don’t want to make it into a villain, and that’s usually what these stories do. I did project management for a construction company in Portland for most of my thirties. Commercial builds, mostly. I was good at it.
I want to be clear about that, because it would be easier to say I hated it and walked away, and that’s not true. I was the guy who kept the schedule honest. I knew where every delay was going to come from before it came, and I knew how to talk to the people who caused them without it turning into a fight. That’s a real skill, and I had it, and for a long time I liked having it. I’ll give you a small thing that stuck with me. Near the end, I sat in a meeting about a schedule slip on a project I’d flagged as a risk six weeks earlier.
I’d been right, and being right didn’t matter, and I watched a room full of people relitigate a problem I’d already solved on paper. And I felt absolutely nothing. Not angry. Not vindicated. Just gone. And I remember thinking, very clearly, that a man who feels nothing in the middle of the thing he’s supposedly good at has a problem he hasn’t named yet.
The money was good. The work was steady. I had weekends, and I spent a lot of them in the mountains, and I told myself that was the balance. Five days of building other people’s things, two days of being somewhere quiet. And for years that arrangement held. The problem wasn’t that the job was bad.
The problem was that the job was fine, and fine turned out to be its own kind of trap. Nobody warns you about that one. They warn you about the terrible job, the toxic boss, the thing you have to escape. Nobody tells you what to do about a perfectly acceptable life that you’ve slowly stopped being present for. Because there’s no crisis in that. There’s nothing to point at.
You just wake up one day and realize you’ve been doing a decent impression of a satisfied person for about three years, and the impression is getting harder to hold. I noticed it first in the mountains, which is maybe why the mountains ended up meaning as much to me as they do. I’d get out on a weekend, and about halfway through Saturday I’d feel myself come back online. Like a version of me that had been holding its breath all week finally exhaled. And then Sunday afternoon I’d feel it start to close back up, that specific dread, as the drive home turned into Monday. I lived for two days and endured five, and I’d been doing that math for so long I’d stopped noticing how bad the math was.
Two good days out of seven is not a balance. It’s a ratio, and it’s a losing one, and I’d just decided to call it normal. Now I’ll tell you about the year that made it impossible to keep pretending. Because two things broke at once, and I’ve come to think that mattered. If only one of them had broken, I probably would’ve patched it and kept going. The first was the layoff.
The company hit a slow stretch, a couple of big projects got delayed on the financing side, and they trimmed a layer of management, and I was in it. It wasn’t personal. I want to be fair about that. It was a spreadsheet decision, and on the spreadsheet it made sense. But it landed strange. Because the thing about being good at a job for a decade is that you quietly build your sense of yourself on top of it.
And when they let me go, I noticed that under the job there wasn’t as much as I’d assumed. I’d been so much the guy who keeps the schedule honest that I wasn’t sure who I was on a Tuesday with nowhere to be. That’s an uncomfortable thing to find out about yourself at thirty-eight. The second thing was a breakup. I’m not going to get into the details, because some of my life stays mine, and she’s a real person who doesn’t need to be a plot point on a podcast. I’ll just say it had been coming for a long time, longer than either of us admitted, and it finally arrived the same season as the layoff.
And I want to be honest, because I said I would be. It wasn’t her fault, and it wasn’t mine exactly either. It was two people who’d stopped growing in the same direction and kept not-saying it until saying it was the only thing left. I’ve done the not-saying-it thing wrong enough times to have an opinion about it now. The opinion is that the longer you avoid the hard conversation, the worse the version you eventually have. So that was the year.
No job, and the relationship that had organized my life for a long time was over, and I was thirty-eight, standing in a rental in Portland that suddenly felt like it belonged to a life I wasn’t living anymore. And here’s where the story wants to get heroic, and I’m going to keep it from doing that. Because the way I’d tell it if I were selling you something is that I looked at the wreckage and boldly chose freedom. That’s not what happened. What happened is that I had a little severance, and no lease I couldn’t get out of, and for the first time since I was twenty-two, nothing that required me to be anywhere. And instead of doing the sensible thing, which was update the resume and find the next version of the same job, I stalled.
I’d been fishing more that spring than I had in years, because I had the time and I needed somewhere to put myself. And I kept having the same thought standing in rivers, which was that I did not want to go back. Not to that company. Not to any company like it. I didn’t have a grand plan. I had a strong feeling and a bank account that gave me a few months of runway to figure out what to do with it.
The van was almost an accident. I’d been half-watching build videos late at night the way you do when you can’t sleep and don’t want to think about your actual life. And at some point half-watching turned into actually pricing it out. And the math, when I finally did it, was less crazy than the life I was supposedly supposed to go back to. A used van and a few months of building it cost less than a year of rent in a city I was staying in mostly out of habit. So I bought the van.
A 2019 Mercedes Sprinter, high roof, extended length, already a hundred and forty thousand miles into its life. And I spent about four months building it out in that driveway, learning as I went, making mistakes I later had to undo. The first bed I built was six inches too high. I’d measured for the mattress and forgotten about my own head, and the first night I sat up and cracked my skull on the ceiling. I lay back down in the dark and laughed, which was the first time I’d laughed in a while. Then I tore the whole frame out the next week and built it again.
That’s most of what building a van is. You do a thing wrong, live with it long enough to understand why it’s wrong, and then do it again with the actual problem in mind. It’s a decent way to learn most things, honestly. I want to be careful here, because this is the part that films well and I don’t fully trust it. Building the van was good for me. That’s true.
It gave me something to do with my hands during a stretch when my head was not a great place to spend time. There’s a real thing that happens when you spend a day cutting plywood to fit a curved wall, and at the end of it the wall has plywood on it that wasn’t there in the morning. That kind of progress is honest in a way a project schedule never quite was. But I don’t want to tell you I built the van and healed, because that’s too clean. I built the van and I was still a mess. I just had somewhere to put the mess where it made a bed frame instead of nothing.
The plan, such as it was, was one year. I’d drive south, chase warm weather and open water, fish everything I could reach, and give myself twelve months to figure out what I actually wanted before I rejoined the world. That was the whole plan. A year off in a van, and then presumably back to something responsible. I told people that. I think I even believed it.
What actually happened is that I drove south, and the year didn’t fix me the way I’d secretly hoped it would, because nothing works like that. But somewhere in the middle of it, without a single dramatic moment, I stopped counting down to the end of the experiment. The van stopped being a thing I was doing for a year and started being how I lived. I picked up a storage unit in Bend, made it a home base, and quietly let the twelve-month plan expire without replacing it. That was about four years ago now. I’m forty-two.
I still have the van. And I want to be clear that this isn’t a story about how I found myself out there, because that phrase makes my skin crawl and it isn’t accurate. I didn’t find myself. I just stopped performing a version of myself that had never really fit, and gave the actual one enough quiet to show up. That took a lot longer than a year, and it’s still going. So if you’re asking what I’d tell someone thinking about the same move, here’s the honest answer, and it’s not the inspiring one.
Don’t do it to escape. I see people treat van life like an exit, like if they can just get out of the job and into the van, the thing that’s wrong will be left behind at the old address. It won’t. It travels. Whatever you don’t like about your life, you will bring into a smaller space with worse plumbing, and it’ll be right there with you at two in the morning in a parking lot. If there’s something to run from, deal with that first, or at least know that’s what you’re doing.
What worked for me wasn’t the running. It was that the running eventually burned off, and underneath it was something I actually wanted, which was a slower life with more water in it and less pretending. That part was real, and it lasted, and the escape part didn’t. The escape part never does. So no. There was no meeting where I stood up.
There was no sunrise that changed me. There was a fine job that stopped fitting, and a year where a couple of things broke at once, and a used van I bought partly out of clarity and partly because I didn’t know what else to do with myself. And it turned into a life. It wasn’t brave. It was just the thing I did when the other thing stopped working. Most decisions are like that if you’re honest about them.
That’s it. That’s the whole episode. Next time I want to stay on the van, but come at it from the other side, because now that I’ve told you why I did it, I want to tell you what almost nobody who sells this life will. What van life content gets wrong, the stuff behind the pretty photos, the parts nobody films because there’s nothing pretty to point a camera at. I’m Henry Wilder. This has been Miles of Quiet.
Go do the boring, responsible thing you’ve been putting off.